Author: Richard Huang

  • Jeddah Diary

    Jeddah Diary

    Reading Jeddah Diary alongside Hafiz reveals the competing truths, concealments, cultural distance, and traces of arrogance and prejudice that can shape an outsider’s photographs of Saudi women.

  • Black Diamonds

    Black Diamonds

    Reading Black Diamonds, a study of post-industrial Appalachian towns, raises questions about community and race—and about whether a photographic project loses its inner honesty when its narrative shifts with the political moment.

  • Hafiz

    Hafiz

    Through a design that echoes the Qur’an, this book enters Turkish photographer Sabiha Çimen’s experience of a girls’ Qur’an school, offering an insider’s view of religious study, friendship, and adolescence.

  • Impressions of Aberfoyle Antique Market

    Impressions of Aberfoyle Antique Market

    At Canada’s historic Aberfoyle Antique Market, my camera turns from tools, furniture, mirrors, and curios from around the world to the families and treasure hunters who fill its weekend aisles.

  • 2001–2007 | Lack & Longing

    2001–2007 | Lack & Longing

    An introduction to Lorenzo Castore’s long-term project, inspired by Koudelka, and to the way self-contained photographs combine in Lack & Longing to shape a narrative of time and desire.

  • Permissions

    Permissions

    Over two decades of photographing her family, Emma Hardy confronts growth, illness, and loss, reflecting on the trust involved when those closest to us allow a camera into their lives.

  • James’ House

    James’ House

    Reading the second volume of Jacob Aue Sobol’s Greenland trilogy, we follow the photographer into a remote settlement and his life with Sabine, encountering the intimacy of human bonds and the enduring weight of separation.

  • Gandras: Land of the White Stork

    Gandras: Land of the White Stork

    Through the photobook Gandras: Land of the White Stork, we enter an oddly shaped corridor along the Lithuanian–Belarusian border and see how a national boundary has shaped the identities and daily lives of its few remaining residents.

  • Afterimages: Echoes of the 1960s — Exhibition Notes

    Afterimages: Echoes of the 1960s — Exhibition Notes

    Looking back at the 1960s through Pop, Minimalism, and Conceptual art, this essay considers the “afterimages” left by consumer culture, war, civil rights, and new materials—and their continuing influence on contemporary consciousness.

  • Ansel Adams in Our Time: Notes from the Exhibition

    Ansel Adams in Our Time: Notes from the Exhibition

    Placing Ansel Adams’s classic images of nature alongside work by his predecessors and contemporary photographers, the exhibition reexamines his environmental advocacy, social documentation, and the legacy of the American West’s visual tradition.